於白晝‧丈影‧栽植

Friedrich Gulda
在Wikipedia, 自由百科全書上有介紹他。

我很喜歡他的爆炸性演奏法；尤其在小貝貝的SONATA裡面，有大量的爆發性和音階；
整個處理的音符很漂亮。
可是，有一點點不理解的，好像是，我拿的譜跟他的好像不太一樣；還有弱音的地方；我不是很喜歡.
除此之外，我覺得他的鋼琴真的棒呆了!
到目前為止；還是最喜歡OP13的第一樂章。 

我覺得，今天(0210)的心情；就跟這章一模一樣........
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以下資料出自Wikipedia

Friedrich Gulda
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Friedrich Gulda (16 May 1930 - 27 January 2000) was an Austrian pianist who performed in both the classical and jazz fields.

Born in Vienna as the son of a teacher, Gulda began learning to play the piano from Felix Pazofsky at the age of 7; in 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx. After winning first prize at the International Competition in Geneva four years later, in 1946, he began going on concert tours throughout the world. Together with Jörg Demus and Paul Badura-Skoda, Gulda formed what became known as the "Viennese troika".

Although most famous for his Beethoven interpretations, Gulda also performed the music of J. S. Bach, Mozart, Schubert, Chopin, Schumann, Debussy and Ravel.

From the 1950s on he cultivated an interest in jazz, writing several songs and instrumental pieces himself and combining jazz and classical music in his concerts at times. Gulda wrote a Prelude and Fugue with a theme suggesting swing. Keith Emerson performed it on Emerson, Lake & Palmer's The Return of the Manticore. In addition, Gulda composed "Variations on The Doors' 'Light My Fire'". Another version can be found on As You Like It (1970), an album with standards such as "'Round Midnight" and "What Is This Thing Called Love?"

In 1982, Gulda teamed up with jazz pianist Chick Corea, who found himself in between the breakup of Return to Forever and the formation of his Elektric Band. Issued on The Meeting (Philips, 1984), Gulda and Corea communicate in lengthy improvisations mixing jazz ("Some Day My Prince Will Come" and the lesser known Miles Davis song "Put Your Foot Out") and classical music (Brahms' "Wiegenlied" ["Cradle song"]).

It was this unorthodox practice that, among other things, earned him the nickname "terrorist pianist"; Gulda had a strong dislike of authorities like the Vienna Academy, the Beethoven Ring of which he was offered in recognition of his performances but which he refused, and even faked his own death in 1999, cementing his status as the enfant terrible among pianists. Nevertheless, Gulda is widely regarded as one of the most outstanding piano players of the 20th century.

He wished to die on Mozart's birthday, actually Friedrich Gulda died on January 27, 2000—the birthday of the mæstro he adored most—at the age of 69, following a heart failure. Gulda is buried on the cemetery of Steinbach near Attersee, Austria.

Two of his three sons, Paul (with first wife Paola Loew, born October 25, 1961) and Rico (with his second wife Yuko Wakiyama, born April 9, 1968) Gulda, are also accomplished pianists.